Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE Jenna Sutela: NO NO NSE NSE Jenna Sutela: NO NO NSE NSE Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE
Jenna Sutela: NO NO NSE NSE
  • Description
  • Artist
  • Terms

Published on the occasion of Jenna Sutela’s exhibition of the same name at Kunsthall Trondheim, this book probes meaning and randomness in the artist’s wetware-powered work. With a special focus on Sutela’s latest work I Magma, co-commissioned by Serpentine Galleries and Moderna Museet in 2019, NO NO NSE NSE explores the notion of an oracular or alternative intelligence through the application of neural machinic and chemical processes.

NO NO NSE NSE includes contributions by Lars Bang Larsen, Stefanie Hessler, Caroline A. Jones, Hans Ulrich Obrist, Allison Parrish, Lars TCF Holdhus, and Ben Vickers. Co-published by Kunsthall Trondheim, Serpentine Galleries, and Koenig Books. Thanks to Finsk-Norsk Kulturinstitutt, Kulturrådet, and Oslo Kunstforening.

Edited by Stefanie Hessler

May 2020

English

16×24 cm, 112 pages, softcover


ISBN

978-3-96098-836-6


Design

NODE Berlin Oslo (Serge Rompza, Lea Sievertsen)


Copy Editor

Steven Zultanski


Printing

Lösch GmbH & Co. KG

 

Materials

Printed on Profibulk 100 gms and HiTec Gloss 320 gms

 

Typefaces

Eurotica Bugs by Helsinki Type Studio

 

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Jenna Sutela

See more products by   Jenna Sutela

Jenna Sutela is a Finnish artist based in Berlin. She and her studio work with biological and computational systems, including the human microbiome and artificial neural networks to create sculptures, images and music. Sutela works with words, sounds, and other living media, such as Bacillus subtilis nattō bacteria and the “many-headed” slime mold Physarum polycephalum. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. 

Sutela's work has been presented at museums and art contexts internationally, including Centre d’Art Contemporain Genève (2024); Swiss Institute, New York (2023); Haus der Kunst, Munich (2022); Castello di Rivoli (2022); Kiasma Museum of Contemporary Art, Helsinki (2022); Shanghai Biennale (2021); Liverpool Biennial (2021); Kunsthall Trondheim (2020); Serpentine Galleries, London (2019); and Moderna Museet, Stockholm (2019). She was a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-21.

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