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A Year in Normandie and Some Other Thoughts about Painting Catalogue
To accompany the exhibition A Year in Normandie and Some Other Thoughts about Painting at Serpentine North (12 March – 23 August 2026), Serpentine has co-published a catalogue with Verlag der Buchhandlung Walther und Franz Konig, Köln.
It brings together new and insightful contributions from the fields of art history and literature to reflect on David Hockney’s monumental frieze A Year in Normandie (2020-21) and his latest series of paintings, created for his solo exhibition at Serpentine. Generously illustrated in colour throughout, it features essays by David Hockney; art historian and curator Marco Livingstone; and writer Olivia Laing; as well as an in-depth interview with Serpentine Artistic Director Hans Ulrich Obrist.
Alongside installation views of the exhibition at Serpentine North, all paintings in the exhibition are featured in detail, emphasising the artist’s sensitivity to colour and composition.
Published by: Serpentine and Verlag der Buchhandlung Walther und Franz König, Köln
Edited by: Claude Adjil and Liz Stumpf
Contributors: David Hockney, Olivia Laing, Marco Livingstone and Hans Ulrich Obrist
Design: David Hockney, Jean-Pierre Gonçalves de Lima and Elise Wille
Layout: Giles Round
Print: EBS, Verona, Italy
Pages: 144
Dimensions: 283 x 213mm
Publication Date: May 2026
ISBN: 978-1-918731-00-2 (Serpentine)
ISBN 978-3-7533-1023-7 (Verlag der Buchhandlung Walther und Franz König, Köln)
© 2026 David Hockney, Photo: Prudence Cuming
Product photo: © 2026 readsreads.info
- Dimensions:
- 283 x 213mm, pp. 144
Artist
David Hockney
David Hockney (b. 1937 in Bradford, Yorkshire, UK) is one of the most influential artists of our time. Throughout his seven-decade spanning career, the British artist remains endlessly inventive and committed to celebrating the world around him, epitomised by his signature phrase, “Love Life.” A deep fascination with perspective and a desire to investigate how we see and represent the world led him to explore a range of artistic mediums from painting to photographic collages, set design, drawing and printmaking. Hockney’s use of new technology is an extension of his interest in different modes of capturing reality. From his Polaroid composites to fax machine drawings and, in recent years, his iPad paintings, he seeks to unlock the potential of each technology for the creation of art.
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