




Amar Kanwar
The President
The President takes a still from The Peacock's Graveyard (2023), one of the exhibited films: two pomegranates set against a black background, rendered with the same intensity of colour Kanwar brings to moving image. The Peacock's Graveyard weaves together a constellation of images and texts across seven screens to draw on contemporary and ancient fables, oral histories and the artist’s own personal experience. Kanwar describes the work, not as ‘a lament or mourning but perhaps a kind of gift, a collection of stories, something to keep by one’s side, or to take along to help us reconfigure life, ideologies, politics and solidarities.’
- Medium:
- Digital pigment print on Somerset Satin paper
- Dimensions:
- 27.5 x 45 cm
- Edition Size:
- 100 + 10 APs
- Year:
- 2026
Artist
Amar Kanwar
Over three decades, Amar Kanwar (b. 1964, New Delhi, India) has developed a distinctive body of lyrical films and multi-video installations rooted in the specific context of the Indian subcontinent. While charged with regional specificity and deeply personal histories, his works grapple with some of the most pressing issues of our time, moving seamlessly between documentary and fiction, the archival and the poetic. Shaped by India’s history, Kanwar frequently reflects on the enduring legacies of decolonisation and the 1947 Partition, which led to the creation of India, Pakistan and later Bangladesh in 1971. In his films, Kanwar explores the politics of power, displacement, violence, justice and memory. Reckoning with the past to better comprehend the urgencies of the present, his work reveals what unites us, regardless of geography or context.
See more by Amar KanwarTerms & Conditions
Choose options





