Abstraction Resting on a Red and White Checkered Tablecloth Tea Towel

Serpentine unveils a new body of work by the celebrated British artist, comprising five still lifes alongside five portraits that depict members of the artist’s close circle, including his family and carers. These paintings are united by their frontal composition and by the recurring motif of a gingham tablecloth that provides the setting for each composition. In these new works Hockney combines abstract and figurative modes of representation. For the artist, all figurative painting is inherently abstract, so long as it exists upon a flat surface.

David Hockney

David Hockney (b. 1937 in Bradford, Yorkshire, UK) is one of the most influential artists of our time. Throughout his seven-decade spanning career, the British artist remains endlessly inventive and committed to celebrating the world around him, epitomised by his signature phrase, “Love Life.” A deep fascination with perspective and a desire to investigate how we see and represent the world led him to explore a range of artistic mediums from painting to photographic collages, set design, drawing and printmaking. Hockney’s use of new technology is an extension of his interest in different modes of capturing reality. From his Polaroid composites to fax machine drawings and, in recent years, his iPad paintings, he seeks to unlock the potential of each technology for the creation of art.