Simon Denny
Simon Denny (b. 1982 in Auckland, New Zealand) has risen to critical acclaim with his work New Management (2014), and most recently with the installation Secret Power (2015), New Zealand’s pavilion for the 56th Venice Biennale.
Denny is one of the leading figures of a generation of artists who employ content from the tech industry, the language of advertising and the aesthetics and ideologies of corporations or government bodies to scrutinise technology’s role in shaping global culture. With the precision of an investigative journalist, Denny’s complex and layered installations translate the often problematic histories and events associated with management and governance into visual form. His work challenges numerous themes which are rooted in modern society’s globalised cultures of technology, consumerism, organisation and the dissemination of information.