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Richard Hamilton, Modern Moral Matters. Since starting out in the 1950s, Richard Hamilton embraced many different media, including painting, printmaking, installation, typography and industrial design. This major exhibition in 2010 reassessed the nature of the Richard Hamilton’s pioneering contribution, focusing on his political works. The installations, prints and paintings on view took international politics, riots, terrorist acts and war as their subject matter, examining how these conflicts are represented by the media, especially via television and the internet.

 

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Richard Hamilton

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Since starting out in the 1950s, Richard Hamilton embraced many different media, including painting, printmaking, installation, typography and industrial design.

Hamilton saw great changes in communication technologies throughout his working life. In 1969 he noted that: “In the Fifties we became more aware of the possibility of seeing the whole world, at once, through the great visual matrix that surrounds us, a synthetic ‘instant’ view. Cinema, television, magazines, newspapers flooded the artist with a total landscape.” Through its fragmentation of images, manipulation of space and reference to different styles and genres, Hamilton’s work interrogates the representations that surround us.

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