Lucy Raven

Lucy Raven's (b. 1977, Tucson, Arizona) work focuses on the marginal spaces at the edges of image production, what happens behind the camera or between the frames of a film or animation. She follows the production of copper wire from an open pit mine in the American West to a smelter in southern China in China Town (2009). She observes post-production technicians converting Hollywood films to 3D in Chennai, India, linking the digitally created illusion of depth to ancient Indian bas-reliefs in The Deccan Trap (2015). She describes spaces and people on the outskirts of Kingston, New York in the hand-drawn animation I Felt As If I Had Actually Been To China (2007). This shift of focus from the image to its production encourages interrogation of the kind of imagery that has become all too familiar.