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The House of Dreams, 2005

Silkscreen printed in 3 spot colours on Colorplan 350gsm

Image size: 42.7 x 62 cm Paper size: 52.2 x 71 cm

Edition of 200, signed and numbered

£168 (incl. VAT)

 

Since the early 1990s, Russian-born Ilya & Emilia Kabakov have collaborated to make complex installations that combine references to history, art, literature and philosophy. Much of their work has revolved around the creation of elaborate fictional characters and situations, with an interest in storytelling and fantasy underpinning their work.

This limited edition, produced for the Serpentine, reproduces one of Ilya Kabakov's preparatory drawings for The House of Dreams. The illustration is loosely based on the Gallery's architecture, depicting an idealised vision of the installation. The Kabakovs' work has been widely shown internationally and they have received a number of awards and public commissions. They live and work in New York.

Ilya & Emilia Kabakov

See more products by   Ilya & Emilia Kabakov

Ilya (b. 1933) and Emilia (b. 1945) Kabakov are ex-Soviet, American-based artists who collaborate on environments which fuse elements of the everyday with those of the conceptual. While their work is deeply rooted in the Soviet social and cultural context in which the Kabakovs came of age, their work still attains a universal significance.

Ilya Kabakov studied at the VA Surikov Art Academy in Moscow, and began his career as a children's book illustrator during the 1950's. He was part of a group of Conceptual artists in Moscow who worked outside the official Soviet art system. In 1985 he received his first solo show exhibition at Dina Vierny Gallery, Paris, and he moved to the West two years later taking up a six months residency at Kunstverein Graz, Austria. In 1988 Kabakov began working with his future wife Emilia (they were to be married in 1992). From this point onwards, all their work was collaborative, in different proportions according to the specific project involved. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century. His installations speak as much about conditions in post-Stalinist Russia as they do about the human condition universally.

Emilia Kabakov (née Lekach) attended the Music College in Irkutsk in addition to studying Spanish language and literature at the Moscow University. She immigrated to Israel in 1973, and moved to New York in 1975, where she worked as a curator and art dealer. Emilia has worked side by side with Ilya since 1988.

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