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Ilya and Emilia Kabakov

House of dreams (2005)
Silkscreen printed in 3 spot colours on Colorplan 350gsm
42.7 x 62 cms
Edition of 200
Hand signed and numbered by the artists
Framed

 

Since the late 1980s, Ilya and Emilia Kabakov have collaborated to make complex installations that combine references to history, art, literature and philosophy. At the Serpentine they presented a new commission, entitled The House of Dreams, which responded to the tranquillity of the Gallery’s setting within Kensington Gardens. For this installation, they transformed the Serpentine by creating a series of distinct meditative spaces, encouraging visitors to enter into a world of fantasy and daydreams and take part in rest and quiet contemplation.

This Limited Edition print reproduces one of Ilya Kabakov’s drawings for The House of Dreams at the Serpentine and is a unique opportunity to collect a work by the Kabakovs.

 

Ilya & Emilia Kabakov

See more products by   Ilya & Emilia Kabakov

Ilya (b. 1933) and Emilia (b. 1945) Kabakov are ex-Soviet, American-based artists who collaborate on environments which fuse elements of the everyday with those of the conceptual. While their work is deeply rooted in the Soviet social and cultural context in which the Kabakovs came of age, their work still attains a universal significance.

Ilya Kabakov studied at the VA Surikov Art Academy in Moscow, and began his career as a children's book illustrator during the 1950's. He was part of a group of Conceptual artists in Moscow who worked outside the official Soviet art system. In 1985 he received his first solo show exhibition at Dina Vierny Gallery, Paris, and he moved to the West two years later taking up a six months residency at Kunstverein Graz, Austria. In 1988 Kabakov began working with his future wife Emilia (they were to be married in 1992). From this point onwards, all their work was collaborative, in different proportions according to the specific project involved. Today Kabakov is recognized as the most important Russian artist to have emerged in the late 20th century. His installations speak as much about conditions in post-Stalinist Russia as they do about the human condition universally.

Emilia Kabakov (née Lekach) attended the Music College in Irkutsk in addition to studying Spanish language and literature at the Moscow University. She immigrated to Israel in 1973, and moved to New York in 1975, where she worked as a curator and art dealer. Emilia has worked side by side with Ilya since 1988.

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