Herzog & de Meuron and Ai Weiwei: Serpentine Gallery Pavilion 2012
Herzog & de Meuron and Ai Weiwei: Serpentine Gallery Pavilion 2012
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Herzog & de Meuron and Ai Weiwei
Serpentine Gallery Pavilion 2012
Silkscreen print on Somerset 410gsm paper
84.1 x 84.1 cm
Edition of 200, each signed and numbered
£1,500 (incl. VAT)

Serpentine Gallery Pavilion 2012
The Limited Edition silkscreen print beautifully illustrates the concept behind the Pavilion 2012 structure, which is based upon the forms of the eleven previous Serpentine Gallery Pavilions. Herzog & de Meuron and Ai Weiwei’s print features nine patterns, each demonstrating a different design aspect of their Pavilion. A reflection of the architect’s unique design process, this print layers and combines the architectural plans for the structures that have gone before. Tracing the contingent patterns formed by the striations of the foundations, this print details the historical terrain that has informed the final shape of the Pavilion 2012.

 

 

Herzog & de Meuron and Ai Weiwei

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Herzog & de Meuron and Ai Weiwei said: “Every year since 2000, a different architect has been responsible for creating the Serpentine Gallery’s Summer Pavilion for Kensington Gardens. That makes eleven Pavilions so far, our contribution is the twelfth. So many Pavilions in so many different shapes and out of so many different materials have been conceived and built that we tried instinctively to sidestep the unavoidable problem of creating an object, a concrete shape. Our path to an alternative solution involves digging down some five feet into the soil of the park until we reach the groundwater. There we dig a waterhole, a kind of well, to collect all of the London rain that falls in the area of the Pavilion. In that way we incorporate an otherwise invisible aspect of reality in the park – the water under the ground – into our Pavilion. As we dig down into the earth to reach the groundwater, we encounter a diversity of constructed realities such as telephone cables, remains of former foundations or backfills. Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011. Their shape varies: circular, long and narrow, dot shaped and also large, constructed hollows that have been filled in. These remnants testify to the existence of the former Pavilions and their more or less invasive intervention in the natural environment of the park. All of these traces of former pavilions will now be revealed and reconstructed.”

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