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Graham’s painting becomes a singular starting point for the artist’s experimentation, ‘a vehicle for endless interpretation’ that he has continued to return to throughout his career.\u003c\/p\u003e\n\u003cp\u003eThis Limited Edition \u003cem\u003eOl`man driver  -  3d\u003c\/em\u003e  transposes the various motifs contained within Graham’s painting into a three-dimensional form, allowing for each of its elements to become visible from multiple perspectives. This new sculptural work is a continuation of Oehlen's attempts to decipher and unravel the enigmatic codes of Graham’s composition, questioning the relationship between flatness and depth within the realm of image making.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeveloped and produced with Fine City Crystals, UK.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":31421518741594,"sku":"","price":2400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/products\/A333557_AG_Serpentine_Gallery73023.jpg?v=1574962460"},{"product_id":"suzanne-treister-space-forest-museum","title":"Suzanne Treister: Space Forest Museum","description":"\u003cp\u003eSuzanne Treister\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpace Forest Museum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e2019\u003c\/p\u003e\n\u003cp\u003eHand carved woodcut on shiohara Japanese handmade paper\u003c\/p\u003e\n\u003cp\u003e74 x 65 cm\u003c\/p\u003e\n\u003cp\u003eEdition of 30 + 4 APs\u003c\/p\u003e\n\u003cp\u003eSigned and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e£1,200 (incl. 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Within the installation\u003cem\u003e \u003c\/em\u003eand shown for the very first time, \u003cem\u003eOn Venus\u003c\/em\u003e (2019) is a looping video which gives the show its name, exploring the industrial farming of hormonal, reproductive and carnal animal commodities including urine, semen, various meats, skins and furs. The video’s second part comprises a poem describing life on Venus, a state marked by violent pressure and heat, destructive winds and the disorienting lapse of day into night.\u003c\/p\u003e\n\u003cp\u003eThis limited edition \u003cem\u003eSplit Snake\u003c\/em\u003e is a film still from this new video work, printed as a single colour silkscreen on holographic stock. A snake, momentarily suspended mid-curl, is held between human hands. 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With a special focus on Sutela’s latest work \u003cem\u003eI Magma\u003c\/em\u003e, co-commissioned by Serpentine Galleries and Moderna Museet in 2019, \u003cem\u003eNO NO NSE NSE\u003c\/em\u003e explores the notion of an oracular or alternative intelligence through the application of neural machinic and chemical processes.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNO NO NSE NSE\u003c\/em\u003e includes contributions by Lars Bang Larsen, Stefanie Hessler, Caroline A. Jones, Hans Ulrich Obrist, Allison Parrish, Lars TCF Holdhus, and Ben Vickers. Co-published by Kunsthall Trondheim, Serpentine Galleries, and Koenig Books. Thanks to Finsk-Norsk Kulturinstitutt, Kulturrådet, and Oslo Kunstforening.\u003cbr\u003e\u003cbr\u003eEdited by Stefanie Hessler \u003cbr\u003e\u003cbr\u003eMay 2020\u003cbr\u003e\u003cbr\u003eEnglish\u003cbr\u003e\u003cbr\u003e16×24 cm, 112 pages, softcover\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eISBN\u003c\/p\u003e\n\u003cp\u003e978-3-96098-836-6\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDesign\u003c\/p\u003e\n\u003cp\u003eNODE Berlin Oslo (Serge Rompza, Lea Sievertsen)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCopy Editor\u003c\/p\u003e\n\u003cp\u003eSteven Zultanski\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePrinting\u003c\/p\u003e\n\u003cp\u003eLösch GmbH \u0026amp; Co. 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Fully illustrated, the book traces Barnor’s photographic practice across six decades including a series of commissioned texts by architect Sir David Adjaye OBE, head of the photographic collection at Musée du quai Branly – Jacques Chirac, Paris, Christine Barthe, visual artist David Hartt, former model Erlin Ibreck and curator Alicia Knock. 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VAT)\u003c\/p\u003e\n\u003cp\u003eThis limited edition by Télémaque is released on the occasion of his first institutional show in the UK, \u003cem\u003eA Hopscotch of the Mind\u003c\/em\u003e. Reflecting the unique and playful visual vocabulary of his exhibition, this print is a ‘sketch’ of abstract gestures, a puzzle that resembles what might become cartoon-like imagery. Traces of past pencil lines lie underneath rich block colours and reveal a snippet of the artist’s process when creating the composition: a peak into the mind of Télémaque. This edition encourages the viewer to form their own associations between fragments of the composition and the striking pop of yellow, blue, brown and red. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":42165561622693,"sku":"","price":780.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/products\/Finaleditionimage.jpg?v=1635583851"},{"product_id":"serpentine-pavilion-2021-sumayya-vally-counterspace-catalogue","title":"Serpentine Pavilion 2021: Sumayya Vally, Counterspace catalogue","description":"\u003cp data-mce-fragment=\"1\"\u003ePLEASE NOTE: This catalogue will only be available to ship from January 2022. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the occasion of Serpentine Pavilion 2021 designed by Sumayya Vally, Counterspace, Serpentine has co-published a catalogue with Verlag der Buchhandlung Walther und Franz König. Richly illustrated and designed by Joseph Kohlmaier, it includes contributions by a number of artists, poets and writers including Siphokazi Jonas, Lesley Lokko, Courttia Newland, Ain Bailey and Imani Robinson and an interview between Sumayya Vally and Sir David Adjaye OBE, the project's curator Natalia Grabowska and Serpentine Artistic Director Hans Ulrich Obrist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSiphokazi Jonas has written a poem in response to the themes explored in the design of this Pavilion. Courttia Newland contributed a short story set in London, \u003cem data-mce-fragment=\"1\"\u003eThe Gold that Built the City\u003c\/em\u003e and Lesley Lokko wrote about Vally’s practice through the lens of their friendship. The catalogue also includes excerpts from Imani Robinson’s lyrical response to Ain Bailey’s sound commission \u003cem data-mce-fragment=\"1\"\u003eATLANTIC RAILTON\u003c\/em\u003e. The texts are accompanied by a conversation between Sumayya Vally, Sir David Adjaye OBE, Natalia Grabowska and Hans Ulrich Obrist. The inclusion of archival and research images gives insight into the design process and brings together the many places and histories that inspired the design of the Pavilion.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditor:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatalia Grabowska\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSir David Adjaye OBE\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAin Bailey and Imani Robinson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNatalia Grabowska\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSiphokazi Jonas\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLesley Lokko\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCourttia Newland\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHans Ulrich Obrist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSumayya Vally\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDesigner\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJoseph Kohlmaier\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePublisher:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSerpentine and Verlag der Buchhandlung Walther und Franz König, Köln\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e135 x 210mm (portrait)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eISBN 978-1-908617-72-9 \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSerpentine, London\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePlease note that customers outside of the UK may be required to pay import VAT and\/or customs duty to their local courier company before receiving the goods.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":41123702636709,"sku":"978-1-908617-72-9","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/products\/cover_2021-11-11_2-1_front.jpg?v=1637245372"},{"product_id":"herve-telemaque-a-hopscotch-of-the-mind","title":"Hérvé Télémaque: A Hopscotch of the Mind.","description":"\u003cp data-mce-fragment=\"1\"\u003eOn the occasion of Hérvé Télémaque’s first exhibition in the UK in 2021, \u003cem data-mce-fragment=\"1\"\u003eA Hopscotch of the Mind\u003c\/em\u003e. Serpentine, Aspen Art Museum and Verlag der Buchhandlung Walter und Franz König have co-published this new catalogue.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is one of the first major catalogues on Hérvé Télémaque’s work to be published in English and includes newly-commissioned texts that trace Télémaque’s six decades of work through an art historical lens, while also providing new perspectives on his work that draw upon its literary, political, historical and theoretical underpinnings. Richly illustrated and designed by Zak Group, it includes contributions by C.C. McKee, Helen Marten, Lyonel Trouillot, Françoise Vergès, Sarah Wilson, and an interview between Hervé Télémaque and Serpentine Artistic Director Hans Ulrich Obrist.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAcademic C.C. McKee draws on their specialism in the art and visual culture of the modern Atlantic world in order to read Télémaque’s work through a psychoanalytic lens and the context of Haitian art. Artist Helen Marten and writer Lyonel Trouillot have composed thoughtful and poetic responses to Télémaque’s work, suggesting new points of entry into the artist’s oeuvre. Political scientist Françoise Vergès uses the artist’s recurring motif of the open mouth as a starting point for a meditation on Haitian history and the politics of anti-Blackness, while art historian Sarah Wilson’s text contextualises Télémaque’s practice within the wider European artistic scene. The book also includes an extended interview with the artist, bringing together two rich conversations with Hans Ulrich Obrist, as well as sections comprising selections of the artist’s writings and works on paper.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Serpentine","offers":[{"title":"Default Title","offer_id":41492520239269,"sku":"978-3753301495","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/DSC4554.jpg?v=1689179261"},{"product_id":"barbara-chase-riboud-infinite-folds","title":"Barbara Chase-Riboud: Infinite Folds","description":"\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSerpentine has co-published a catalogue with Verlag der Buchhandlung Walther und Franz König to celebrate Barbara Chase-Riboud’s first institutional solo exhibition in the UK, \u003c\/span\u003e\u003ca href=\"https:\/\/www.serpentinegalleries.org\/whats-on\/barbara-chase-riboud-infinite-folds\/\"\u003e\u003cspan\u003e\u003ci\u003eInfinite Folds\u003c\/i\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan data-contrast=\"auto\"\u003e(Serpentine North, 11 October 2022 – 10 April 2023). This book features new scholarship from a diverse group of writers and arts practitioners, offering new, insightful perspectives on Chase-Riboud’s extraordinary career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eWith a career spanning over seven decades, Chase-Riboud’s innovation in sculptural technique and materiality is characterised by the interplay between folds of cast bronze or aluminium and coils of wool and silk which are knotted, braided, looped, and woven. Combining materials with different qualities such as hard and soft, light against heavy, and tactile versus rigid, the artist’s monumental sculptures and works on paper consider notions of memory, legacy and power.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eRichly illustrated and designed by Pacific, this catalogue includes contributions from Gus Casely-Hayford, Joseph Manca, Erin L. Thompson, Yesomi Umolu, and Lynette Yiadom-Boakye, as well as an interview between Chase-Riboud and Serpentine Artistic Director Hans Ulrich Obrist. The publication also features an extensive chronology as well as a selection of the artist’s own poetry and writing.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEditors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYesomi Umolu and Chris Bayley\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003eGus \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003eCasely\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003e-Hayford\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003e Joseph \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003eManca\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW207171897 BCX8\" data-mce-fragment=\"1\"\u003eErin L. 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Collectively, these contributions give insights into how Baselitz’s distinctive sculptural practice has influenced and intrigued different generations of artists working across a variety of media. Also included are new poems inspired by Baselitz’s sculptures written by Nobel Prize winning author Herta Müller and Norman Rosenthal. Additionally, Michael Baxandall and Eric Darragon provide art historical contextualisation to this body of work. Baselitz himself provides a reflection on his sculpture practice which he further elaborates on in the included interview between the artist and Hans Ulrich Obrist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-3-7533-0530-1\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSerpentine London\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVerlag der Buchhandlung Walther und Franz König, Köln\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEdited by: \u003cbr data-mce-fragment=\"1\"\u003eLizzie Carey-Thomas, Alexa Chow, Tamsin Hong \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTexts by:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlvaro Barrington\u003cbr data-mce-fragment=\"1\"\u003eMichael Baxandall\u003cbr data-mce-fragment=\"1\"\u003eGeorg Baselitz \u003cbr data-mce-fragment=\"1\"\u003eHuma Bhabha\u003cbr data-mce-fragment=\"1\"\u003eEric Darragon \u003cbr data-mce-fragment=\"1\"\u003eTracey Emin\u003cbr data-mce-fragment=\"1\"\u003eRashid Johnson\u003cbr data-mce-fragment=\"1\"\u003eBettina Korek \u003cbr data-mce-fragment=\"1\"\u003eHerta Müller\u003cbr data-mce-fragment=\"1\"\u003eHans Ulrich Obrist \u003cbr data-mce-fragment=\"1\"\u003eNorman Rosenthal\u003cbr data-mce-fragment=\"1\"\u003eJenny Saville \u003cbr data-mce-fragment=\"1\"\u003eErwin Wurm\u003cbr data-mce-fragment=\"1\"\u003eRose Wylie \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFormat:\u003cbr data-mce-fragment=\"1\"\u003e300 x 250mm (portrait)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages:\u003cbr data-mce-fragment=\"1\"\u003e136 pp + 2pp tip-in\u003cbr data-mce-fragment=\"1\"\u003e138pp in total \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAmount of illustrations:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e9 b\/w and 90 colored\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBinding (Hardcover\/Softcover):\u003cbr data-mce-fragment=\"1\"\u003eSection sewn, OTA-bound, Softcover\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFull spec:\u003cbr data-mce-fragment=\"1\"\u003eCover Sirio Color Rough Royal Green 350gsm printed 1\/1 white\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eContent Pages 24pp Arena Rough White 120gsm printed 1\/1\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e2pp tip-in Siro Color Bruno 140gsm, 1\/0 black\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e92pp Magno Volume 130gsm printed 4\/4\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e20pp Arena Rough White 120gsm printed 1\/1\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLanguage:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnglish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":42541730234533,"sku":"978-3-7533-0530-1","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/DSC5566.jpg?v=1698931573"},{"product_id":"kaws-new-fiction","title":"KAWS: NEW FICTION","description":"\u003cp data-mce-fragment=\"1\"\u003eBy KAWS, with texts by Daniel Birnbaum, Hans Ulrich Obrist, Bettina Korek, and Alexandra Kleeman\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ingenious physical and augmented reality artworks from the most viewed art exhibit in history by the acclaimed artist KAWS\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBased on the blockbuster 2022 solo show in London, \u003cstrong data-mce-fragment=\"1\"\u003eKAWS: NEW FICTION\u003c\/strong\u003e documents the groundbreaking, multi-layered exhibition that presented the artist’s new and recent works in physical and augmented reality. 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Richly illustrated, this book both draws from and expands on the presentation at Serpentine and includes new essays from Eduardo Kohn, Maristella Svampa, Yuk Hui, James Bridle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished by: Serpentine and Ivorypress\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePages: 226\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSize: 16 x 24 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnglish Language\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by: Lacasta Design\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrint: Nueva Imprenta, Madrid, Spain\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN: 978-84-1227-922-1\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":42552615829669,"sku":"978-84-1227-922-1","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/FRONT_sq.jpg?v=1696417771"},{"product_id":"rirkrit-tiravanija-untitled-2023-the-ambrosias-of-evil","title":"Rirkrit Tiravanija: untitled 2023 (the ambrosias of evil)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRirkrit Tiravanija\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003euntitled 2023 (the ambrosias of evil)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEmbossed print on paper\u003cbr\u003eSize: 66 X 43.2 cm\u003cbr\u003eHand signed and numbered by the artist \u003cbr\u003eEdition of 30 + 3 APs\u003c\/p\u003e\n\u003cp\u003e£880 (incl. VAT)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRirkrit Tiravanija’s first solo exhibition in London took place at Serpentine in 2005. Tiravanija’s installation featured a full-scale, fully functioning replica of his New York apartment and a broadcasting studio, all available for visitors to use. Along with the replica apartment, a broadcasting studio was also installed within the Serpentine Gallery, from which a serialized radio programme about the artist’s life was transmitted live on a daily basis. Tiravanija’s work, like this installation, crosses the boundaries between sculpture, installation and performance. Acting as a catalyst, Tiravanija created situations in which the divisions between art and life were removed. He often cited ‘lots of people’ as a key element, making reference to the improvisational nature of his work and his desire for it to be used.\u003c\/p\u003e\n\u003cp\u003eRirkrit Tiravanija is a Thai contemporary artist. Tiravanija attended Ontario College of Art in Toronto (1980–84), the Banff Center School of Fine Arts (1984), the School of the Art Institute of Chicago (1984–86), and the Whitney Independent Studies Program in New York (1985–86). In the 1990s, Tiravanija began producing works that revolved around his own personal history, he is quoted as saying “My starting point was the search for my identity in foreign places, in places where I am estranged from myself”. Rirkrit Tiravanija pioneered the Relational Aesthetics movement, which in simplified terms places people; their interactions, their environments at the centre of the work as opposed to art objects. His work has in the past taken the form of communal cooking and eating where audiences are invited into an event or environment of Tirivanija’s making, often providing space for smaller personal moments, whilst relating these to wider political concerns. Rirkrit Tiravanija has exhibited at the Serpentine Galleries as well as the Philadelphia Museum of Art, the Los Angeles County Museum of Art, the Guggenheim Museum, the Museum of Modern Art, USA as well as the Centre Pompidou, Paris, the National Gallery Singapore and the Venice Biennale to name a few.\u003c\/p\u003e\n\u003cp\u003eThis limited edition takes reference from one of  Rirkrit Tiravanija’s marble sculptures of the same name, originally shown in \u003cem\u003eRirkrit Tiravanija:\u003c\/em\u003e \u003cem\u003euntitled 2020 (once upon a time) (after jasper johns)\u003c\/em\u003e at Galerie Chantal Crousel, Paris 2020. It disrupts and re-appropriates the American flag inserting a phrase over the top of the distorted stars and desaturated stripes. “The Ambrosias of Evil” acts not only as a provocative phrase, but also exercises one’s right to critique. Similarly, this edition emulates the monochrome aesthetic through the process of blind embossing. The print emerges through imprints on the paper, no ink is used in this process, but in its absence, there remains a ghostly presence.\u003c\/p\u003e\n\u003cp\u003e“People forget that it is part of political speech, part of enacting your right to critique. […] So, this idea of deconstructing the flag has been going on since the 1980s, since Ronald Reagan. Or even for longer, since the Vietnam war protests. […] I usually describe my text works as road signs. Like when you drive on a highway and you drive by a big signage and pick up whatever the words are written on it. It’s about whether that gets into your consciousness or not. 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VAT)\u003c\/p\u003e\n\u003cp\u003eThis limited edition is released on the occasion of Tomás Saraceno’s first major UK solo exhibition, Tomás Saraceno in Collaboration: \u003cem\u003eWeb(s) of Life\u003c\/em\u003e, where he invited participants to consider different forms of knowledge and more-than-human perspectives through a range of artworks, prompts and experiences which extend past the walls of Serpentine South, into The Royal Parks and beyond.\u003c\/p\u003e\n\u003cp\u003eSince 2006, Saraceno has been accompanied by the extraordinary nature of spider behaviours and architectures through his interdisciplinary network, Arachnophilia. An interdisciplinary, research-driven community of humans and non-humans, Arachnophilia focuses on the extraordinary architecture of spider webs and their behaviours, which entangle us in various cultural perceptions, myths, and relationships. Through expanding its artistic networks, the Arachnophilia community seeks to invent innovative, playful, and engaging platforms for bringing research discourse into the public sphere. As well as inviting musicians to collaborate on arachnophilia performances, at Studio Tomás Saraceno this consists of research and praxis in the fields of biomateriomics, bioacoustics, biotremology ethology, and cognitive science, among others, as a way of engaging speculatively, but also sensitively, with the forms of life that exist all around us.  \u003c\/p\u003e\n\u003cp\u003eThis cyanotype print is taken from a photograph of a work by Saraceno, \u003cem\u003eWorld(ing)WideWeb(s).Life, 2023,\u003c\/em\u003efeaturing a delicate spider web. 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Photo: readsreads.info\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":43400714813605,"sku":"978-1-908617-84-2","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot_105.png?v=1712755609"},{"product_id":"revelations","title":"Judy Chicago: Revelations","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eOn the occasion of the exhibition Judy Chicago’s first institutional exhibition in London Revelations (23 May – 1 September 2024), Serpentine and Thames \u0026amp; Hudson have co-published an illuminated manuscript by the artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eThe manuscript \u003cem\u003eRevelations\u003c\/em\u003e is a work that Judy Chicago believed would never be published: a radical retelling of human history, recovering some of the histories of women that society sought to erase. The project began alongside her iconic installation The Dinner Party in the mid-1970s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eDrawing on her intensive research into goddess worship and women’s history, Revelations is foundational to Chicago’s decades-long practice. It is at once a vibrant narrative and a work of art, fifty years in the making. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eRichly illustrated and designed by Jessica Fleischmann \/ Still Room and Phil Kovacevich, alongside the manuscript by Chicago, this publication includes contributions from Serpentine Associate Exhibitions Curator Chris Bayley and scholar Martha Easton, as well as an interview between Chicago and Serpentine Artistic Director Hans Ulrich Obrist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eContributors:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eJudy Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eChris Bayley\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eMartha Easton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eHans Ulrich Obrist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eDonald Woodman\u003c\/span\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eDesigner:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eJessica Fleischmann \/ Still Room\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003ePrint:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003ePrinted and bound in China by Offset Printing Co. Ltd.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eHardback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eSize: 7.4 x 9.5 x 1.3 in (18.8 x 24.1 x 3.3 cm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003ePages: \u003cspan style=\"font-size: 11.0pt; line-height: 107%; font-family: 'Noe Text Regular',serif; mso-fareast-font-family: Platanus; mso-fareast-theme-font: minor-latin; mso-bidi-font-family: 'Times New Roman'; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-GB; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003e304\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eIllustrated in colour throughout\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eISBN-10: 0500027897\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003eISBN-13: 9780500027899\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-family: 'Noe Text Regular',serif;\"\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":43673676316837,"sku":"978-0500027899","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot_144.png?v=1716282233"},{"product_id":"lauren-halsey","title":"Lauren Halsey: Emajendat","description":"\u003cdiv\u003e\u003cspan\u003eLauren Halsey: emajendat\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFor the past decade, Lauren Halsey (b. 1987, Los Angeles, USA) has developed a distinct visual language deeply rooted in South Central Los Angeles where her family has lived for generations. Through objects and installations, Halsey archives and remixes the changing signs and symbols of her environment, gathering physical and graphic material from her neighbourhood. In her work Halsey merges past, present and future via her interest in iconography connected to the African diaspora, Black and queer icons and architecture. Halsey cites the collective sonic and visual layering associated with Funk music as the blueprint for her approach to making, traversing time and drawing on a wide range of sources.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOn the occasion of the artist’s first solo exhibition in the UK, emajendat (11 October 2024 – 2 March 2025), Serpentine and Rizzoli have released the most comprehensive publication to date. Designed by ALASKA ALASKA, the London based design studio founded by Virgil Abloh in 2017, it brings together new and insightful contributions from poet Will Alexander; art historian LeRonn Brooks; musician and founding member of Parliament-Funkadelic, George Clinton; writer, dancer and experimental filmmaker, Harmony Holiday; poet and performer Douglas Kearney; and Serpentine CEO Bettina Korek. Generously illustrated in colour throughout, it also features an extensive conversation between Halsey and Serpentine’s Director of Programmes (interim) and Chief Curator, Lizzie Carey-Thomas and Artistic Director, Hans Ulrich Obrist.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEdited by:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLizzie Carey-Thomas and Chris Bayley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTexts by:\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWill Alexander\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLeRonn Brooks\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLizzie Carey-Thomas\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGeorge Clinton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLauren Halsey\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarmony Holiday\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDouglas Kearney\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBettina Korek\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHans Ulrich Obrist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFormat: Hardcover\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSize: 9 x 11 in. (22.9 x 28 cm)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePages: 224\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSpecial Exhibition Price: £38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRRP: £38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN: 978-0-8478-4781-5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/div\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":44242690736293,"sku":"978-0-8478-4781-5","price":38.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/DSC1437.jpg?v=1727869855"},{"product_id":"pavilion-2024-publication","title":"Serpentine Pavilion 2024: Archipelagic Void: Mass Studies","description":"\u003cp\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eDesigned by Minsuk Cho and his practice Mass Studies, Serpentine Pavilion 2024 \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eArchipelagic Void\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e is composed of five 'islands' positioned around a central circular void. Each 'island' is unique in size, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eheight\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e and form, serving a different purpose and individually named. This publication, conceived in close collaboration with Cho, brings together voices from across the worlds of architecture, art and poetry including Eun-Me Ahn, Iwan Baan, Stefano Boeri, Heman Chong and Renée Staal, Kenneth Frampton, Beatrice Galilee, Renée Green, Kim \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW141310374 BCX8\"\u003eHyesoon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e, Jang Young Gyu and Alex Taek-Gwang Lee. An extensive interview between the architect and Hans Ulrich Obrist is included in the catalogue, introducing Cho’s practice and traces the research, development, and ideas behind this year’s Pavilion. \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun EmptyTextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eEditors: Alexa Chow, Gonzalo Herrero \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW141310374 BCX8\"\u003eDelicado\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e and Yesomi Umolu\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eContributors: Eun-Me Ahn, Iwan Baan, Stefano Boeri, Heman Chong and Renée Staal, Kenneth Frampton, Beatrice Galilee, Renée Green, Kim \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW141310374 BCX8\"\u003eHyesoon\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e, Jang Young Gyu, Alex Taek-Gwang Lee and Hans Ulrich Obrist\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003eDesigner: \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW141310374 BCX8\"\u003eSulki\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e \u0026amp; Min\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW141310374 BCX8\" xml:lang=\"EN-GB\"\u003e\u003cspan class=\"NormalTextRun SCXW141310374 BCX8\"\u003e Print: Gomer Press, Wales, UK  \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 10.0pt; font-family: 'Aptos',sans-serif;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW141310374 BCX8\"\u003e\u003cspan class=\"SCXW141310374 BCX8\"\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":44243129335973,"sku":"978-3753306889","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot_223.png?v=1730288184"},{"product_id":"arpita-singh-remembering","title":"Arpita Singh: Remembering","description":"\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eArpita Singh: Remembering \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eThis catalogue accompanies the exhibition \u003ci\u003eRemembering\u003c\/i\u003e at Serpentine North 20 March – 27 July 2025, showcasing Arpita Singh’s prolific six-decade painting practice. The exhibition is Singh’s first solo exhibition outside of India and features over 160 works which includes oil paintings, acrylics, watercolours, drawings, and etchings. The publication includes newly commissioned texts by fellow artist and friend of the artist, Nilima Sheikh; Booker Prize winning author Geetanjali Shree, curator Devika Singh and art historian Geeta Kapur. It also features 3 interviews between the artist and Serpentine’s Creative Director Hans Ulrich Obrist and exhibition curator Tamsin Hong. These texts touch on central themes of \u003ci\u003eRemembering\u003c\/i\u003e including the artist’s exploration of Surrealism, figuration, abstraction, and the inspiration she has taken from Indian court paintings and folk narratives. They also discuss how since the 1990s, Singh has increasingly focused on themes of motherhood, the aging female form, feminine sensuality, vulnerability, and violence exploring the impact of relationships and external events on her emotional and psychological landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003e£28\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eDimensions: 20 x 24 x 1.9 cm \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003ePages: 224\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eBinding: Softcover \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eISBN: 978-1-908617-91-0 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eSerpentine, \u003c\/span\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eLondon; 978-3-7533-0825-8 Verlag der Buchhandlung Walther und Franz König, Köln\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003eEdited by: Tamsin Hong, Rebecca Ribichini, and Liz Stumpf\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 11.0pt;\"\u003ePublication date: March 2025\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/div\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":44963691102373,"sku":"978-1-908617-91-0","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot2025-03-18154825.jpg?v=1742312952"},{"product_id":"radio-ballads-songs-for-change","title":"Radio Ballads: Songs for Change","description":"\u003cdiv id=\"shopify-section-template--18224710385919__main\" class=\"shopify-section mount-css-slider mount-toggles mount-product-page mount-show-more\" data-js-inert=\"\"\u003e\n\u003cdiv class=\"container container--large container--vertical-space-small  container--no-space-mobile\"\u003e\n\u003cdiv class=\"product-text  element--is-sticky remove-empty-space\"\u003e\n\u003cdiv class=\"product-metadata-wrapper\"\u003e\n\u003ch4 class=\"heading__title\"\u003eRadio Ballads: Songs for Change\u003c\/h4\u003e\n\u003cp\u003eSerpentine Civic Projects presents a new publication:\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRadio Ballads: Songs for Change\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eWhat kinds of collective songs are needed today?\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eRadio Ballads: Songs for Change\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e takes its name from a revolutionary series of radio programmes broadcast on the BBC from 1957–64, a time of rapid change across the UK. Combining song, music and sound effects with the voices and stories of communities, each original Ballad focused on the lived experiences of workers and groups whose voices were otherwise rarely, or never, heard in the media. Building on these histories of collective song and storytelling, this publication shares the process of Serpentine Civic Projects creating four new Radio Ballads over 60 years later (2019—2023), with artists Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar in collaboration with carers, organisers, social workers and residents in the London Borough of Barking and Dagenham.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan\u003eRadio Ballads: Songs for Change\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e centres the voices and experiences of people whose care keeps many of us afloat through civic, grassroots and informal networks. Sharing complex and intimate stories of living and working through multiple ongoing crises, these four projects are woven together by eight songs of collaborative work: \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWorking In and Against Systems\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eListening\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eProcessing\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEmbodying\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDreaming\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSupporting\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eConnecting\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Voicing\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. Together they consider how creative collaboration can open up new spaces to process experiences of mind\/body health, domestic abuse, terminal illness, grief and end of life care, and to generate interdependence and collective healing. Exploring new possibilities for us to gather and organise together, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eRadio Ballads: Songs for Change\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e asks: what kinds of collective songs are needed today?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRadio Ballads: Songs for Change\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis co-published with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/kverlag.com\/\"\u003eK. Verlag\u003c\/a\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eEditors \u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eLayla Gatens, Elizabeth Graham, Amal Khalaf\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eContributors\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eSanah Ahsan, Breanna Amoako, Ain Bailey, Camille Barton, Melissa Bell, Sarah Boosey, Sonia Boyce, adrienne maree brown, Clara Catherine Buffong, Sarah Kemper Cook, Susan Cade, Helen Cammock, \u003c\/span\u003e\u003cspan\u003eRuth Crossley, Jemma Desai, Yasmine Djedje-Fisher-Azoume, Joan Fletcher, Kayden Fearon, Layla Gatens, Elizabeth Graham, Jacob Heiter, Staci K Haines, Robyn Haddon, Ruby Harris, Rachel Hughes, Cally Islam, Priya Jay, Amal Khalaf, Tina Longston, Rae Johnson, Mark Jones, Isobel Lovett, Claire Martin, Rome Martin-Whilby, Geoffrey McCauley, Emily Catherine McGuinness Khoury, Meenadchi, Richard Meeran, Aisha Mirza, Yvonne Miah, Liam O’Connell, John O’Donohue, Joe Namy, Sofia Niazi, Eddie Pagget, Dee Pessoa, Sioned Pennant, Rory Pilgrim, Amelia Poamz, Hugh Prior, Petra Prince, Jim Reynolds, Frances Rifkin, Catherina Amber Rowland, Ilona Sagar, Georgia Scotland, Layli Long Soldier, Marijke Steedman, Sadie St Hilaire, Marged Siôn, Becky Warnock, Jackie Wang, Lorna Webster, Tom White and Jasmine Vyolet.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eContributing Partners\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eBarking Dagenham Youth Dance, Barking and Dagenham Domestic Abuse Commission, Becontree Broadcast Station, Clean Break, Green Shoes Arts, Hodge Jones and Allen Solicitors, Interfaith Sanctuary Shelter, Implicated Theatre, LBBD Disability and Life Planning Services, LBBD Temporary Accommodation and Hostel Services, LBBD Integrated Care, LBBD Pause, Leigh Day Solicitors, London Asbestos Awareness Group, London Contemporary Orchestra, New Town Culture, PEARL, Radio Active, Social, Therapeutic and Community Studies (Goldsmiths University, Unite the Hotel Workers Branch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e608 pages\u003c\/p\u003e\n\u003cp\u003e18.3 x 21 cm\u003c\/p\u003e\n\u003cp\u003eFull color, richly illustrated\u003c\/p\u003e\n\u003cp\u003eSoftcover, thread-sewn, shrink-wrapped with sticker\u003c\/p\u003e\n\u003cp\u003eISBN: 978-3-941230-35-4\u003c\/p\u003e\n\u003cp\u003eInstitutional partner: Serpentine Civic Projects\u003c\/p\u003e\n\u003cp\u003eCo-published with Serpentine, London\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--18224710385919__divider_tDEpUD\" class=\"shopify-section can-be-fullwidth\" data-js-inert=\"\"\u003e\n\u003cdiv id=\"element-template--18224710385919__divider_tDEpUD\" class=\"container--fullwidth   container--vertical-space\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":45053477159077,"sku":"978-3-941230-35-4","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot2025-03-20165838.jpg?v=1742490907"},{"product_id":"atta-kwami-catalogue","title":"Atta Kwami: Publication","description":"\u003cp class=\"MsoNormal\"\u003eThis catalogue is the first monograph on Atta Kwami’s practice. Kwami won the prestigious Maria Lassnig Prize 2021 in partnership with Serpentine to realise this first monograph on his work and a mural commission at Serpentine North Garden, which was presented between 2022-24. The mural originated from a painting that Kwami was reworking in his studio in 2021, shortly before his death.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRichly illustrated, the book features a previously unpublished interview with the artist by Hans Ulrich Obrist alongside new commissions, with a selection of important works from Kwami’s career. Contributors include Melissa Blanchflower, Pamela Clarkson, Clémentine Deliss, Ama Dogbe, Lisa Milroy, Nkgopoleng Moloi and John Picton.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN 978-1-908617-77-4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eSerpentine, London\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN 978-3-7533-0786-2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVerlag der Buchhandlung Walther und Franz König, Köln\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e£28\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e212 x 265 mm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePages : 144\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEdited by\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMelissa Blanchflower with Natalia Grabowska\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesigned by\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMark El-khatib studio\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e© Photo: readsreads.info\u003c\/span\u003e\u003c\/div\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":45432533254309,"sku":"978-1-908617-77-4","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/SerpentineAttaKwami20250515-017.jpg?v=1747661115"},{"product_id":"marina-tabassum-untitled","title":"Marina Tabassum: Untitled","description":"\u003cdiv\u003e\u003cspan\u003eMarina Tabassum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cem\u003eUntitled,\u003c\/em\u003e 2025\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEtching on Paper\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e50 x 35.5 cm \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEdition run of 120 + 2 AP’s\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e£300 (incl. VAT) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eDue to the nature of the three plate etching process each print varies slightly and contains slight imperfections due to the beautiful bespoke printing method. This in turn makes each print slightly unique in its detailing. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eReleased on the occasion of Marina Tabassum’s Serpentine Pavilion 2025 A Capsule in Time at Serpentine South, this three-plate colour etching echoes the capsule-like forms that are present in the Pavilion itself.  Compressed in composition, the print depicts two perspectives of the sculptural and geometric qualities of the Pavilion: from ground level and above. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFor centuries, architects have grappled with the temporalities and relationship between architecture and time. A Capsule in Time, reflects on this notion and aims to evoke a meaningful dialogue between the permanent and ephemeral nature of the commission. The Pavilion considers this transience and connects it to parallels found within the dynamic nature of the Bengal Delta: a vast terrain located in the Indian subcontinent that sees land and water in constant flux and where architecture is also ephemeral, or adaptable to the extremities of weather. Populated by audiences over five months and used in a variety of ways, the Pavilion is then disassembled. In Tabassum’s words, ‘architecture becomes memories of lived spaces’.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePositioned along the north-south axis of the park, A Capsule in Time features an elongated capsule-like form with a central court that aligns with Serpentine South’s bell tower. Inspired by summer park-going and arched garden canopies that filter soft daylight through green foliage, the structure is comprised of four wooden sculptural forms with a translucent façade that diffuses and dapples light as it enters the space. Integral to Tabassum’s design is a kinetic element that allows one capsule form to move, transforming the space into a new configuration. This movement is similarly felt in the print’s two perspectives.\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© 2025 Photo: readsreads.info\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qZ4yA_nI6lA?si=aPH3n9jJwkyELElZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":45512693579941,"sku":null,"price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/SerpentineEdition20250528-013-2.jpg?v=1748857874"},{"product_id":"pre-order-marina-tabassum-architects-serpentine-pavilion-2025-a-capsule-in-time","title":"Marina Tabassum Architects: SERPENTINE PAVILION 2025 A CAPSULE IN TIME","description":"\u003cdiv\u003e\n\u003cspan\u003eSERPENTINE PAVILION 2025 A CAPSULE IN TIME: \u003c\/span\u003e\u003cspan\u003eMarina Tabassum Architects\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTo accompany the Serpentine Pavilion 2025 A Capsule in Time, designed by Marina Tabassum and her firm, Marina Tabassum Architects, Serpentine has co-published a catalogue with Verlag der Buchhandlung Walther und Franz Konig, Köln.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesigned by Wolfe Hall, it brings together new and insightful contributions from the fields of architecture and art to reflect on Tabassum’s Pavilion and wider practice. Generously illustrated in colour throughout, it features essays by editor and curator Shumon Basar; architect, educator and Dean of Yale School of Architecture Deborah Berke; art and architecture historian Perween Hasan; architect, writer and critic Thomas de Monchaux; and experimental visual contributions from artists Rana Begum and Naeem Mohaiemen. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlongside these contributions, it features drawings from Tabassum’s sketchbook whilst designing the Pavilion; a photo essay by Iwan Baan; a conversation with David Chipperfield; and an in-depth interview with Serpentine Artistic Director Hans Ulrich Obrist.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e£28 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePublished by: Serpentine and Verlag der Buchhandlung Walther und Franz Konig, Köln\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEdited by: Chris Bayley\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eContributors: Iwan Baan, Shumon Basar, Rana Begum, Deborah Berke, David Chipperfield, Perween Hasan, Naeem Mohaiemen, Thomas de Monchaux, Hans Ulrich Obrist and Marina Tabassum\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesigner: Wolfe Hall\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrint: robstolk®, Netherlands\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePages: 184\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDimensions: 24 x 16.5 cm \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePublication Date: July 2025\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN: 978-1-908617-89-7 (Serpentine); \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eISBN 978-3-7533-0851-7 (Verlag der Buchhandlung Walther und Franz König, Köln)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e© 2025. Photo: readsreads.info\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/qZ4yA_nI6lA?si=aPH3n9jJwkyELElZ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Serpentine Galleries","offers":[{"title":"Default Title","offer_id":45674464706725,"sku":"978-1-908617-89-7","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2113\/7453\/files\/Screenshot_361.png?v=1754310892"}],"url":"https:\/\/shop.serpentinegalleries.org\/collections\/january-sale.oembed?page=3","provider":"Serpentine Galleries","version":"1.0","type":"link"}